총 282페이지
281페이지 본문시작
their g enr e, activ ely cr eate art pr odu ct s an d fr equ ently pr esent them to the public,
often in ov er seas countries . It is, ther efore, natural that m ost of th em ar e v ery
satisfied w ith their activities. T his is eviden ced by a v ery high intrin sic job
satisfaction scor e.
H ow ev er , m ost artist s feel that Kor ea ' s social and economic condition s ar e not
so fav or able to th eir activities. M ost artist s ar e dissatisfied w ith g ov ernm ent art
policies.
T hey
com plain
about
th e
lack
finan cial
support , in sufficient
opportunities for pr esenting th eir art pr oduct s and rigid cen sor ship.
A s m entioned abov e, this surv ey in cludes m any question s concernin g the artist s '
edu cation , job career s, an d artistic v iew s and v alu es. T he r esult s of the surv ey
w ere v ery int er esting . M ost artist s r eceiv ed college edu cation , but the degr ees of
coincidence bet w een their college m ajor and art activities differ greatly fr om one
g enre t o anoth er . Ov er 95 per cent of archit ect s m ajor ed archit ecture in colleg e or
adv anced studies, w hile only 10 per cent of popular ent ert ain er s r eceiv ed colleg e
edu cation r elated t o their curr ent activ ities . Ov er half of the artist s atten ded
priv at e art school, and about 60 percent r eceiv ed priv at e lesson s . M ost of those
w h o r eceiv ed art education think that th eir education , w heth er form al or inform al,
im pr ov ed their artistry gr eatly .
T h e m ost im portant phen om en a t o be n ot ed w ith regar d t o the artist s ' j ob s is
that a v ery significant portion of th em do not h av e a j ob at all. S om e of them ar e
r etired or hou sew iv es , but m any of them are un em ploy ed. T h e second import ant
ob serv ation is th at th e degr ees of coincidence bet w een job and art activities, as is
the case for education , differ lar gely am ong each genr e. M ost of the ar chitect s ,
W est ern clas sical m u sician s , cla ssical dancer s , an d paint er s and sculpt er s h av e
pr ofessional or
sem i- pr ofession al job s, w hile a r elativ ely
lar ge num ber
photogr apher s, th eatrical artist s, and Kor ean clas sical m u sician s h av e job s differ ent
fr om their art activities. A rchit ect s earn the m ost m oney w hile Korean classical
m u sician s earn th e least .
F inally , w e found that Kor ean artist s as a w hole hav e m oder ate artistic view s
and v alues . M ost of them b eliev e in the ab solute v alu e of pur e art and also accept
it s social v alues . F urtherm ore, m ost of them think that the social r espon sibilities
of artist s ar e v ery im port ant , but th ey object rigid cen sor ship. T hey accept
com m er cial art but t end t o be v ery critical of it . M ost artist s tend t o be politically
con serv ativ e, but fr om an economical st andpoint , m aint ain egalitarian v alu es.
261
often in ov er seas countries . It is, ther efore, natural that m ost of th em ar e v ery
satisfied w ith their activities. T his is eviden ced by a v ery high intrin sic job
satisfaction scor e.
H ow ev er , m ost artist s feel that Kor ea ' s social and economic condition s ar e not
so fav or able to th eir activities. M ost artist s ar e dissatisfied w ith g ov ernm ent art
policies.
T hey
com plain
about
th e
lack
finan cial
support , in sufficient
opportunities for pr esenting th eir art pr oduct s and rigid cen sor ship.
A s m entioned abov e, this surv ey in cludes m any question s concernin g the artist s '
edu cation , job career s, an d artistic v iew s and v alu es. T he r esult s of the surv ey
w ere v ery int er esting . M ost artist s r eceiv ed college edu cation , but the degr ees of
coincidence bet w een their college m ajor and art activities differ greatly fr om one
g enre t o anoth er . Ov er 95 per cent of archit ect s m ajor ed archit ecture in colleg e or
adv anced studies, w hile only 10 per cent of popular ent ert ain er s r eceiv ed colleg e
edu cation r elated t o their curr ent activ ities . Ov er half of the artist s atten ded
priv at e art school, and about 60 percent r eceiv ed priv at e lesson s . M ost of those
w h o r eceiv ed art education think that th eir education , w heth er form al or inform al,
im pr ov ed their artistry gr eatly .
T h e m ost im portant phen om en a t o be n ot ed w ith regar d t o the artist s ' j ob s is
that a v ery significant portion of th em do not h av e a j ob at all. S om e of them ar e
r etired or hou sew iv es , but m any of them are un em ploy ed. T h e second import ant
ob serv ation is th at th e degr ees of coincidence bet w een job and art activities, as is
the case for education , differ lar gely am ong each genr e. M ost of the ar chitect s ,
W est ern clas sical m u sician s , cla ssical dancer s , an d paint er s and sculpt er s h av e
pr ofessional or
sem i- pr ofession al job s, w hile a r elativ ely
lar ge num ber
photogr apher s, th eatrical artist s, and Kor ean clas sical m u sician s h av e job s differ ent
fr om their art activities. A rchit ect s earn the m ost m oney w hile Korean classical
m u sician s earn th e least .
F inally , w e found that Kor ean artist s as a w hole hav e m oder ate artistic view s
and v alues . M ost of them b eliev e in the ab solute v alu e of pur e art and also accept
it s social v alues . F urtherm ore, m ost of them think that the social r espon sibilities
of artist s ar e v ery im port ant , but th ey object rigid cen sor ship. T hey accept
com m er cial art but t end t o be v ery critical of it . M ost artist s tend t o be politically
con serv ativ e, but fr om an economical st andpoint , m aint ain egalitarian v alu es.
261
281페이지 본문끝
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